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Created for the support of Petersburg artists (both participation in the exhibitions and entrance are free), in the course of time the Gallery became a rather prestigious spot for organization of exhibitions both of domestic and foreign artists.

We believe that in the situation when there are few exhibition spaces in the city and a great scale of creative ideas, aesthetic concepts and artistic practices, the main actual task is to present as many artists as possible independent on genre and technology.

  • Exhibitions in the Borey Gallery are in the non-stop regime.
  • It is a basic principle of the Gallery to support beginning artists and creators (the first exhibition, the first book, the first article).
  • Absence of aesthetic snobbery and restraints in the interests of a special group of artists.
  • Accessibility and openness.


August 19-30,2008. Collective exhibition of the Israeli artists.
"FOLDED ART"
Painting, installations, a photo
In halls of gallery

Participants: Abrahami Ora, Ariam Sima, Agur Nurit, Jacob Hai MacMillan, Suli Wolf Bornestien, Berger Aviva, Beker Ruth, Binder Ronit, Ilana Yaron, Drimmer Norma, Dushi Uri, De beer Uri Daniel, Drori Ayala, Droval Dov, Entes Aviva, Elkivity Lucy, Green Liat, Getzov Varda, Israeli Segal Irit, Louise Mark, Mike Lazar, Meir Delia, Neuwirth Yael, Rajoul Mehta, Rotem Varda, Solomon Naftali, Tibor Shula, Wolf Bornstien Suli, Ziv Av Edna.

The curator: Doron Polak
The Producer: Iris Elhanani
     
     
     
     
    
     
    
     
      
    
     
    

The inspiration for the exhibition of Israeli artists at the Borey Gallery in St. Petersburg was taken from the works of artists that were folded and sent through the mail because they were forbidden from exhibiting in their own country.
The theme of the forbidden art exhibition is to allow each artist to choose a story or a special, unusual case that usually wouldn't be worthy of exposure or just by being exhibited in a gallery, would break down the boundaries and limitations of publicity and coverage of any kind. Forbidden art by definition deals with provocative, dramatic, unknown and unpredictable topics. The concept of the exhibition legitimately allows the use of symbols, allegories, codes, etc.
The participating artists belong to Israel's middle generation. Most are well known, professional artists who exhibit in museums and renowned galleries in Israel and worldwide. A varied list of painters, sculptors, photographers and printers was chosen and having their work shown under one roof allows a unique peek into the creative world in Israel. The fact that large format paintings were selected and that they are being sent folded to the gallery immediately creates the need to deal with works on a unconventional scale, suitable for a museum where exhibiting them on the walls will be a special attraction.

 
August 5 - 16 2008. Eli Perelman. Photo.
"THE PASSER-BY: ALMOST A LANDSCAPE"
Photography
In the halls of the gallery
  
   

Eli Perelman (born in1968 in Riga)
Lives in Jerusalem, has been photographing Petersburg since 2005.

"The passer-by: almost a landscape" is the exhibition of photos by Eli Perelman, an Israeli who has been photographing Petersburg since 2005. The exhibition is based on the synthesis of photos of the city and texts (fragments from poems by I. Brodsky). The combination of emotional and unexpected foreshortenings of Petersburg landscape and lines by Brodsky pulled out from context on purpose result in an attempt to create a universal mood.

 
July 22 - August 2 2008. V. Tikhomirov and Y. Yufit. Painting/photo.
“ENERGETIC ARTISTS”
Painting/photography
In the halls of the gallery
                
  

The paths of two legendary artists, Viktor Tikhomirov and Yevgeny Yufit, ran in parallel for many years. Once upon a time they met at a film festival and became friends. What was the attraction?
Viktor Tikhomirov regards Yevgeny Yufit as an energetic man. Like Tikhomirov himself, Yufit is full of ideas, strength, and good cheer. Yufit's high spirits attracted the cheerful Tikhomirov. These artists don't get depressed. Courage and toughness are their watchwords. As Tikhomirov says, "I have too much energy, and this undermines my reputation as an artist —we're supposed to be sickly and emaciated." The image of artist-as-martyr arose in the late 19th century during the age of Decadence. It was inherited by the unofficial art of the late Soviet period, when only Communist Youth League leaders and directors of turbine factories were supposed to be energetic. The myth of the sickly artist has paradoxically migrated into post-Soviet times. If you're an energetic person you're supposed to be a businessman or politician. Yufit and Tikhomirov disprove this legend. They are energetic artists.

 
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